Profile

Bates Masi + Architects LLC, a full-service architectural firm with roots in New York City and the East End of Long Island for over 55 years, responds to each project with extensive research in related architectural fields, material, craft and environment for unique solutions as varied as the individuals or groups for whom they are designed. The focus is neither the size nor the type of project but the opportunity to enrich lives and enhance the environment. The attention to all elements of design has been a constant in the firm’s philosophy. Projects include urban and suburban residences, schools, offices, hotels, restaurants, retail and furniture in the United States, Central America and the Caribbean. The firm has received 232 design awards since 2003 and has been featured in national and international publications including The New York Times, New York Magazine, Architectural Digest, Interior Design, Architectural Record, Metropolitan Home, and Dwell. Residential Architect Magazine selected Bates Masi one of their 50 Architect’s We Love. In 2013, Bates Masi was inducted into the Interior Design Hall of Fame. Bespoke Home, the first monograph of the firm’s work, with introduction by Paul Goldberger was published in 2016. The firm’s highly anticipated second monograph, Architecture of Place, is available in bookstores now.

Paul Masi spent childhood summers in Montauk and currently resides in Amagansett. He received a Bachelor of Architecture from Catholic University and a Masters of Architecture from the Graduate School of Design at Harvard University. He worked at Richard Meier & Partners before joining this firm in 1998.

Harry Bates, a resident of East Hampton, received a Bachelor of Architecture from North Carolina State University. After ten years with Skidmore, Owings & Merrill, he was in private practice in New York City for 17 years before moving the firm to Southampton on the East End in 1980. Our offices have recently relocated to a new office building of our own design in East Hampton.

We are always looking for talented designers to join our team. If interested, please send resume and portfolio to info@batesmasi.com.

Contact

132 North Main Street
2nd Floor
East Hampton, NY 11937

21 West 46th Street
Suite 1106
New York, NY 10036

T 631.725.0229

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Genius Loci

Lot size: 1.6 acres

Building size: 7,000 sq. ft.

Location: Montauk, NY

Program: Single Family Residence

Photographer: Michael Moran

Contractor: Davis Builders

 

Montauk, NY, resembles many other small seaside communities. However, it possesses unique characteristics that imprint lasting memories. The weather is unpredictable with banks of heavy fog and gusty winds. History is closer to folklore than truth with stories of the Montauk Project Conspiracy, German Submarines and, the Montauk Monster blurring the line between fact and fiction. Remnants of the past such as a radar tower and bunkers are scattered throughout the landscape. Socially, there is a seasonal migration and mix of economic classes. The clients could have chosen to vacation anywhere in the world, but were lured to Montauk by the characteristics that make it unique from other areas. These characteristics embody the “Spirit of Montauk” and the clients challenged the architect to design a house that would embody and capture this spirit.

Formerly a horse ranch, the rolling green pasture of the site is located at one of the highest elevations in Montauk. The extensive program is terraced and embedded into the steep slope of the hill without compromising access to the exterior or natural light. Approaching from the south, the house appears to be two modest and separate one-story ranch houses. Circling around to the north, the house unfolds to reveal a more extensive project. The conventional Montauk building typology of the low-pitchedgabled roof is modified by the geometries of the allowable building envelope and height restrictions of the site. The ridge is offset and the walls converge, directing one’s view west to the lake. The optical illusion caused by the parabolic roof is visible on the South side and entices a second look, as do numerous other details.

Architectural details throughout the house occur at unexpected moments. A wood screen covered bridge unifies the two shingle clad volumes, allowing light into the grass paver courtyard below. The cedar screen of the bridge reads differently from day to night. It appears flat during the day, but, as darkness falls, light seeps out in an undulating pattern showing the wedge shape cut in the back of the boards. In front of clerestory windows, a milled bluestone screen is similarly detailed. The stone appears weightless as alternating stones are removed from the pattern to let light into the guest area. These unexpected details reinforce the larger idea of capturing the unexpected.

There is no prescribed path of circulation, encouraging different encounters much like the social experiences of Montauk. One can enter beneath the bridge and up terraced planter steps revealing the rolling hills and ocean in the distance. One can also climb the exterior entry stair that mirrors the interior stair, separated by a wall of glass. One can choose to enter into the house or continue to the outdoor fireplace, dining area, and out to the pool. The exploration resulting from unique circulation yields a different memorable experience for everyone.

The house celebrates the “spirit of the place” of where it is located. With the rise of technology and the internet, the identity of place can be lost. This project explores regionalism and the design evolves from the community it is located.