Profile

Bates Masi + Architects LLC, a full-service architectural firm with roots in New York City and the East End of Long Island for over 55 years, responds to each project with extensive research in related architectural fields, material, craft and environment for unique solutions as varied as the individuals or groups for whom they are designed. The focus is neither the size nor the type of project but the opportunity to enrich lives and enhance the environment. The attention to all elements of design has been a constant in the firm’s philosophy. Projects include urban and suburban residences, schools, offices, hotels, restaurants, retail and furniture in the United States, Central America and the Caribbean. The firm has received 232 design awards since 2003 and has been featured in national and international publications including The New York Times, New York Magazine, Architectural Digest, Interior Design, Architectural Record, Metropolitan Home, and Dwell. Residential Architect Magazine selected Bates Masi one of their 50 Architect’s We Love. In 2013, Bates Masi was inducted into the Interior Design Hall of Fame. Bespoke Home, the first monograph of the firm’s work, with introduction by Paul Goldberger was published in 2016. The firm’s highly anticipated second monograph, Architecture of Place, is available in bookstores now.

Paul Masi spent childhood summers in Montauk and currently resides in Amagansett. He received a Bachelor of Architecture from Catholic University and a Masters of Architecture from the Graduate School of Design at Harvard University. He worked at Richard Meier & Partners before joining this firm in 1998.

Harry Bates, a resident of East Hampton, received a Bachelor of Architecture from North Carolina State University. After ten years with Skidmore, Owings & Merrill, he was in private practice in New York City for 17 years before moving the firm to Southampton on the East End in 1980. Our offices have recently relocated to a new office building of our own design in East Hampton.

We are always looking for talented designers to join our team. If interested, please send resume and portfolio to info@batesmasi.com.

Contact

132 North Main Street
2nd Floor
East Hampton, NY 11937

21 West 46th Street
Suite 1106
New York, NY 10036

T 631.725.0229

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Navy Beach

Lot size: .63 acres

Building size: 2,000 sq. ft.

Location: Montauk, NY

Program: Single Family Residence

Photographer: Bates Masi + Architects

Contractor: LSM Development Corp.

 

The site for this home on a bluff overlooking the bay with sunset views has one challenge: the noise of a nearby railway. To address the issue the design explores two sound attenuation strategies, mass on the ground level and separation on the upper level. These strategies create distinct architectural languages which enhance the experience of the home.

A language of masonry on the ground level allows the house to be embedded into the hillside and utilize the earth to provide shelter from the noise. Thick masonry walls extend from the hill and project beyond the facade, creating acoustic shadows at the door and window openings that are further protected by acoustic laminated glass. The wall projections conceal functional outdoor storage closets and pool equipment space. The masonry walls also form the pool, elevating it to the main living level and allowing for vanishing edges on two sides. These vanishing edges not only heighten the drama of the view, but the cascading water also creates ambient noise to help mask the sound of the nearby trains. The masonry finish itself extends from the exterior to clad interior walls as well. It is sand-cast brick with a rust-like color. It references the manganese garnett minerals that were deposited in the glacial moraine and that continue to tint the sandy beach at the base of the bluff.

On the upper level, a strategy of acoustic separation allows for the change to wood materials, both literally and experientially lighter than the ground level material language. The separation strategy is expressed as a series of layers in the facades. The outermost layer is a privacy screen of vertical dowels. The custom made stainless steel clips that support the dowels were inspired by oar locks on row boats. They lock the dowels in place with friction-fit wood pegs instead of screws, reducing the stress at the fasteners usually created as the wood expands and contracts with moisture. The same hardware is re-purposed inside as drawer and door pulls. The dowels too reappear as an interior motif in custom light fixtures, speaker grills, and hvac registers. The second layer of the upper level facades provides the structure and weather barrier. It is a wood framed wall clad in a soft coniferous wood siding. The third layer is an independent wood framed wall that supports the interior finishes and is hung off the outer wall on vibration isolation clips to create acoustic separation. The interior finish matches the exterior siding and extends to the ceilings, interior doors, and millwork as well, creating a minimal palette that does not distract from the primary experience of the place: the view.

The site conditions define an architectural language for the design, one which address the site’s acoustic challenges. In so doing it allows the family to focus on the positive aspects of the site that drew them there: the spectacular views and connection to the landscape.